Sister Massively Opiated wrote:An interesting pdf, In memoriam for Ray Bradbury who passed away June 5th... politically, a really interesting guy... like Heinlein... misunderstood, and Fharenheit 451º is a classic...
RayBradburyBio.pdf
To Bradbury. Thank you, Dear Sister, for that obit of Ray Bradbury.
It brings up memories of my reading his books in junior high or early high school, in Mom and Dad's house, or before that in the same house owned by my grandparents. They had a swamp (evaporative) cooler, which made fog banks in an effort to dispel the dry, West Texas heat. It melted one's books and could even rust the chrome-plated chassis of the Dynaco tube power amps that I built.
Then I was young enough to lie on the floor on my stomach, reading
The Martian Chronicles--the desert was so evocative--or
Golden Apples of the Sun, and don't embarrass me by telling me I got the names wrong if I did, while the goggle box was on in the other room and the adults were there. Possibly my grandparents were fighting like the animals in the veldt. My grandmother could have frightened off one of the hyenas.
The swamp cooler belched out fog banks of humidity, contending with the 10% to 15% normal we have.
The dull roar of the swamp cooler, masking the voices of early 70s television, while I was reading. "The Veldt" How can anyone forget that? Especially when one is reading it under the dull roar of the swamp cooler... The smell of water on excelsior, the faint humming of the water pump, the roar of the squirrel-cage fan as bellows and blasts of air came down from the roof into the hall.
I didn't identify with the children in "The Veldt"; the highpoint of the story was the anomie. He was way ahead of the isolation that we would find in 21st-century technology.
But the isolation of that story then, in a suffocatingly small town where everything was seen and known and remarked on, spoke to me. The media room, before there was such a thing. When a huge television was 25", and there were few of them. When there were two channels, both going off at midnight, both from 80 miles away, grappled down from a 35' antenna. That the wind would sometimes turn awry, and completely isolate us.
It gave such a sense of being somewhere else... I didn't have a driver's license then, and that's nearly fatal in West Texas, and only two miles in any direction would be limitless desert. No lions, but mountain lions and coyotes. Coyotes that will in drought eat a calf being born.
Veldt... Lying in the dim light, embraced by the cooler breezes, knowing that just outside the door was a pitiless sun and the desert. Toujours the desert. The desert, which measures time if at all in decades. The hot, hostile, arid desert. The desert that always wins. The desert I both fear and love. The desert with the sky that is almost yellow in the summer. The desert with the hundred-degree (38 C) winds of 50 mph (84 kph). Hot winds shaking the house, and as the barometric pressure changes the cooler slows, then speeds, then slows...
Bradbury's science was a vehicle for his settings, unlike Heinlein's science, if you measure Heinlein's science in terms of when he wrote it and before his final fantasy years (which oddly enough are starting to sound like quantum physics). But you cannot forget Bradbury's images and he didn't write science fiction as Heinlein or Clarke did, or even Asimov. He made images, worlds that you could live in. Heinlein made characters you cannot forget; Asimov, well, I've had no desire to reread him in 40 years.
The only other writer with Bradbury's sense of place, since Homer, is the team of Terry Gilliam, Charles McKeown, and Tom Stoppard (a good one) who wrote the screenplay for one of my top few favorite movies: Brazil. An astute friend of mine remarked of that movie that you could imagine opening a door on the set and seeing more the same. If you haven't seen Brazil in a while, do so. It's really the ultimate totalitarian movie.
Back to Bradbury. Think of the Martians who as a hobby each studied an Earth language. Just before their demise, as I recall, one of them remarks that just now he knows what the meaning of "righteous" is. This is pre-PC; this is pre-hate-whitey. There was no ax to grind. There was no politics. This was just art before the left politicized even the molecules in the air.
My lord I wish I had the time to reread the Bradbury.
Or do I? Perhaps the memory is what I need the most.